Jul 28

Do you like art? I have known someone who enjoyed painting; he likes to paint some remarkable outdoor scene by a lake or by a mountain. His art was a wonderful masterpiece. There is also another person I now who make pencil drawings, he profoundly excels on this kind of art. This time it was taken into next level; he paints with inks and sold them online. I am also interested on this kind of art that is why we acquired the art explosion scrapbook factory deluxe software on the web.

If you know somebody who loves art, introduce him in some contemporary art explosion scrapbook factory deluxe software, he might be interested on it. Computer changed all walks of life, everything you want to experience can be experienced in just one click of you computer. That is the amazing beauty of World-Wide-Web, and now it is already part of everything we do.

Art explosion scrapbook factory deluxe software is just one of the many options when it comes to art and crafts. This is also a great aid for children in doing arts and crafts. They would quickly learn making jewellery, painting pictures, sewing and even making scrapbooks. In art explosion everything you do would always relates to art and crafts. You can have this anytime and even when you are just at home you can have it.

It’s sensible to check first all about art, and what would be the offer to you before deciding Interest that child if he or his interest in art other things, the best step to start Arts and Art Explosion Deluxe Scrapbook Factory software to make it easier.

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May 15

Animals, like humans, are unique in the sense that no two are identical. The differences in hair, fur, texture and color is numerous. An animal’s fur color is rarely one tone. Shadows, reflections, and highlights all add to the variation in color. If you would like some ideas and guidelines for creating basic paint formulas for obtaining the correct fur colors, keep reading.

Let’s start with what may be the trickiest color for fur; white. White fur is not pure white. You should always add other colors to the white. If you want a cool variation, add a touch of black to create a soft gray. If you desire a warm tone, add a small amount of burnt umber. As you work your layers, you will lighten this white. The very final layers may be pure white as highlights.

Next, we will create brown fur tones. For browns, start with white and add red and burnt umber. Add more burnt umber for darker brown fur. Red fur, as on a fox or cat, would be created by starting with the brown mixture and adding cadmium red medium to it. Adding more or less burnt umber and cadmium makes variations of red fur.

Many animals have yellow tones in their fur or hair. Use a light brown mixture and add some cadmium yellow medium. The value you create depends on how much yellow or burnt umber you use.

The last basic color for animal fur is black. Like white, black fur is never pure black. A nice mixture to use for reflected areas of a shorthaired animal is black mixed with prussian blue and a touch of cadmium yellow. The mixture works nicely where you want a very sleek shiny cool look. To create a warmer look, use black with alizarin crimson and cadmium red.

It is always a good idea to experiment with color before applying it to your final painting. Practice on paper, starting with light values and darken them – creating color scales for each of the basic animal fur colors.

Remember that painted animal fur and hair colors should closely match your subject. Use the colors mentioned in this article as a starting point and add pigment to match the color needed. Have fun and enjoy learning to paint animals.

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Apr 26

Not making their concepts diverse enough

Creating a few ideas that are very similar by just slightly varying layout or fonts. The problem here lies that all of the design options may be rejected if they are not along the lines of what the client was looking for. If you present very different ideas it is far more likely that one will be chosen. This is one of the first lessons every designer will discover while learning graphic design.

Making design concepts too complicated

There is an overwhelming urge for many new designers to over complicate their designs. Good design is generally very simple. Remember – less is more.

Concentrating more on beautiful styling than about how the product benefits the end user

When designing something like an advert or brochure, the graphic designer needs to focus on selling the things that matter to the potential buyer. It is great to make something look beautiful but it also needs to connect and entice the end user.

Targeting the wrong demographic

Not targeting the right target audience with the right type of design. Taken to extremes a young funky style would probably be unsuitable to promoting a retirement home.

Not making the the most of their design presentation skills

A small amount of extra time allocated to design presentation can make the difference between a design being accepted or not. For example if a label design was actually applied to a photo of a bottle it, the client can get a true feel for how the finished design might look.

Starting designing straight on the computer

Starting to design on the computer in my opinion limits your ideas. By turning off the computer for a while and grabbing a pencil and paper ideas can flow more freely. A designer is not limited by technique or filters or “what they know the computer can do” when drawing up rough designs.

Not charging enough for their design work

When a designer starts out it is difficult to judge the worth of their work. What they need to remember is that the clients commissioning the work are generally using their design work to increase their income. A logo can help raise the profile of a company, a piece of packaging can help sell more product. There are many freelance rate calculators available on the web than can help give a guide to the amount a freelance designer should be charging.

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Apr 25

Painting trees is possibly one of the first features that new artists attempt to put in their landscape paintings. Painting trees is not difficult, but you do need to follow a few simple guidelines.

There are two types of trees, deciduous and evergreen. Deciduous trees go through quite a few color changes and eventually lose their leaves every year. Therefore they look different and have different color foliage at different times of the year. Evergreens may change slightly, but in general look the same all year.

When painting either type of tree, look at the overall silhouette that the tree forms. Most of the time you will notice pockets and spaces where you can see through the branches. This empty space is called negative space and without it, your tree will not look accurate.

Start by painting in the tree trunk. You may not see too much of a trunk on an evergreen, but paint it in anyways. Usually a gray paint is a good choice for tree bark. Deciduous trees trunks usually do not grow straight upwards. Usually as the tree grows and becomes heavier, you will see it curve and bend. The trunk will also be larger at the bottom and get smaller up the tree.

When you paint the branches make sure that you overlap some of them. It depends on what type of tree you are painting as to the shape, size and direction of the branches. Branches, like the trunk, will be larger near the main trunk and get smaller the further away they grow.

Now add foliage. It would not be reasonable to think you could paint every single leaf on a tree. Painting foliage is dabbing clusters of paint here and there to make the viewer believe it is leaves. The trick is to add enough paint without filling in all of the negative space. You should use a few variations of color as you work. Chose color based on the season that you want your painting to express.

Adding pine needles is similar to adding foliage to deciduous trees. In general, you will start at the base of the tree and work upward. The reason that you should paint in the trunk first is because pine trees usually have fairly straight trunks and as you add the pine needles, you can follow the line without having your tree lean to one side or the other. Start to leave some negative space about half way up the tree and leave more near the top. You should see parts of the trunk. Now use a lighter color and add a few highlights.

One last tip is that trees often grow in clusters or groups. Overlap them in your paintings. Don’t make your trees look like perfect round lollipop trees, or Christmas trees. Nothing is perfect and to create perfect looking trees, you need to show their imperfections! Have fun and enjoy learning to paint trees.

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Apr 24

I like to use acrylic paints because they are so versatile and can be used just like watercolor. Acrylic paint is water-based meaning it dissolves in water. You only need a small amount of paint mixed with water and you instantly have converted the acrylic paint into watercolor!

Acrylic paints can be diluted with water, but are water-resistant when dry. Depending on how much the paint is diluted with water, the finished painting can resemble a watercolor or even an oil painting. To get a watercolor effect, dilute just a small amount of paint into the water. Mix it well and you have created a whole new medium to paint with. I have even used a small amount of paint in a spray bottle of water to mist on tiny specks of color in fields or for falling snow. Hint, make sure your painting is laying flat when you do this! These techniques would not be possible unless diluted to a watercolor consistency.

Acrylics paints can be used in place of watercolors because acrylics dry closer to the desired color which is slightly darker, while watercolors dry lighter and the colors are sometimes unpredictably.

The wet on wet is a favorite technique use by watercolor artist. To apply this technique, apply a layer of color to the watercolor paper. While it is still wet, add another color. The two colors blend beautifully almost as if by them-selves to create soft subtle variations in color. Later add more objects with a thicker version of paint to create objects that appear closer or of more detail. You can also do the reverse where you add a layer of watercolor wash over a painting to soften it by subduing the colors whereby a fog or mist is added

Acrylic paints are so versatile, that I only purchase them because I can create so many different effects with one medium of paint. Turning acrylics into watercolor is so easy that there is no reason to buy both. Which ever you choose, have fun and enjoy learning to paint.

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Mar 31

Aside from paintings, photographs have been considered as one of the most interesting visual means of communication there is.

As times pass by, those who were not endowed with the natural knack for drawing or painting were able to shift their “eye for the beautiful” using not brushes and paints but a camera-an apparatus that records images on photographic negatives called “film”.

PHOTOGRAPHY CLASS BASICS

After discovering the beauty of photography, more and more people became interested in the craft, devoted their time in discovering and rediscovering its major components, and became self-taught photographers.

Since not everyone does not have enough time and will to learn everything on their own, they often resort to attending photography classes to gain or improve their knowledge in the craft.

But before enrolling into any photography class, you must decide first what kind of photography you would want to explore and things you can expect from that class.

These are the usual things you can learn in a photography class:

- The Camera. Essentially, a camera is a light-tight box containing a piece of light-sensitive material-either film or digital sensor-inside it. The “box” has a hole (lens) to allow light to enter, a viewfinder and a shutter.

Usually, two types of cameras are being introduced to the students during a photography class: the SLR (Single-Lens Reflex) or manual and the Digital Camera. While SLR cameras require the use of rolls of film, manual loading and rewinding, and manual photo processing, digital cameras use a digital memory car, which allows larger image storing and can be processed/ manipulated through the use of computer.

- Photography terms and other equipment basics such as shutter speeds that define the length of time the film is exposed to light, aperture which refers to the opening of the lens, kinds of films and film speeds rated by ISO numbers, batteries either alkaline or lithium, tripod or monopods used for camera support, F-stops or depth of field which refers to the distance between the nearest and farthest points that appear in sharp focus, the significance of camera meters, and lenses which are used to gather and focus light rays to form an image and its various kinds with basic explanation and application of focal lengths, tele-extenders, filters, flash and etc.

- Photography theories and application.

- Outdoor and indoor activities are also expected.

- Styles and tips in shooting different photographs like framing and composing the subject, and what to photograph are taught.

- Camera health, protection, and caring tips.

- You can also learn how to publish your photos as well as your money and photo rights.

If you’re planning to enroll in a photography class, make sure that you peruse the syllabus or course outline so you can come up with a list of expectations. You may also ask people who have enrolled in photography classes before and ask about their experience so you’ll have an idea what goes on.

Online photography classes are available in the Internet if you opt not to attend a regular photography class.

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Mar 30

Painting, people, takes practice. Painting people or portraits in acrylics is done by painting in layers. While you are building these layers, you may be tempted to give up too soon. As long as the features are placed correctly, painting portraits in acrylic just takes layers and patience.

Getting the person’s features correctly is the most important first step in portrait painting. I suggest using the grid methods to do this. In this example, you are painting from a photo or picture. Use a pencil and lightly draw a grid with equal squares on the painting surface. Use another grid and place over the photo. The grid you use over the photo will likely be a much smaller one. On your canvas, within each square draw the lines of what you see. If you want even more accuracy, you can draw smaller squares within squares. When your drawing is accurate, you can erase the grid lines.

Step number two is the foundation. The foundation involves using a thinned layer of paint for the person’s skin tone. The consistence of this paint should be like watercolor. This is the under painting. Dilute the flesh colored paint with water and establish the entire skin area. You will add layer upon layer until you have built your shadows or highlights. The way that you do this is to reduce the amount of water that you add or just use the paint full strength. You should be able to see the pencil lines of the facial features.

Now, use a darker flesh color and paint in the facial feature lines. Think of this stage as painting in the lines like a coloring book. After you paint in the features of the eyes, eyebrows, nose, nostrils and mouth you can work on the final layers of the finished painting. It is the final layers of the painting that bring it to life.

Study your reference photo and notice where the shadows are. Layer by layer add the shadows. Because you are painting a portrait, don’t be afraid to add red, and even blue to mimic flesh color. Add some highlights to make features appear to protrude. For example, notice on the nose, there is usually very bright highlights. To indicate the roundness of cheeks, chins and the center of the forehead, use a few layers of whitened flesh color to add these very important highlights. The last bit may be a touch of pure white.

The last thing to do in a portrait should be your final pure white highlights. Usually a person’s lips are moist and have a touch of pure white. There is almost always a touch of pure white in a persons’ eye where the light is reflecting.

Remember painting people takes practice. Painting people or portraits in acrylics is done by painting in layers. Don’t get frustrated if your first few portraits aren’t what you expected. You will more than likely need to practice and practice. Have fun and enjoy learning to paint.

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Mar 25

Aside from paintings, photographs have been considered as one of the most interesting visual means of communication there is.

As times pass by, those who were not endowed with the natural knack for drawing or painting were able to shift their “eye for the beautiful” using not brushes and paints but a camera-an apparatus that records images on photographic negatives called “film”.

PHOTOGRAPHY CLASS BASICS

After discovering the beauty of photography, more and more people became interested in the craft, devoted their time in discovering and rediscovering its major components, and became self-taught photographers.

Since not everyone does not have enough time and will to learn everything on their own, they often resort to attending photography classes to gain or improve their knowledge in the craft.

But before enrolling into any photography class, you must decide first what kind of photography you would want to explore and things you can expect from that class.

These are the usual things you can learn in a photography class:

- The Camera. Essentially, a camera is a light-tight box containing a piece of light-sensitive material-either film or digital sensor-inside it. The “box” has a hole (lens) to allow light to enter, a viewfinder and a shutter.

Usually, two types of cameras are being introduced to the students during a photography class: the SLR (Single-Lens Reflex) or manual and the Digital Camera. While SLR cameras require the use of rolls of film, manual loading and rewinding, and manual photo processing, digital cameras use a digital memory car, which allows larger image storing and can be processed/ manipulated through the use of computer.

- Photography terms and other equipment basics such as shutter speeds that define the length of time the film is exposed to light, aperture which refers to the opening of the lens, kinds of films and film speeds rated by ISO numbers, batteries either alkaline or lithium, tripod or monopods used for camera support, F-stops or depth of field which refers to the distance between the nearest and farthest points that appear in sharp focus, the significance of camera meters, and lenses which are used to gather and focus light rays to form an image and its various kinds with basic explanation and application of focal lengths, tele-extenders, filters, flash and etc.

- Photography theories and application.

- Outdoor and indoor activities are also expected.

- Styles and tips in shooting different photographs like framing and composing the subject, and what to photograph are taught.

- Camera health, protection, and caring tips.

- You can also learn how to publish your photos as well as your money and photo rights.

If you’re planning to enroll in a photography class, make sure that you peruse the syllabus or course outline so you can come up with a list of expectations. You may also ask people who have enrolled in photography classes before and ask about their experience so you’ll have an idea what goes on.

Online photography classes are available in the Internet if you opt not to attend a regular photography class.

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Mar 23

Learning about perspective when painting or drawing, is extremely important as you need to be able to incorporate a sense of viewpoint into your project. This is so that it helps you to create a sense of reality for those who are viewing your work. This does not have to be exact; it just needs to look and feel correct.

It is worth spending some time ensuring that you have portrayed the correct perception as it helps your work of art to become more convincing. If you are considering painting landscapes for instance then you should consider learning about perspective whilst you are planning the composition of the picture.

Note how the scene in front of you appears to be double layered and how light and shade makes such a difference. You may find it difficult to start off with but as with all things arts related, practice makes perfect.

Because there are so many points to consider regarding your use of perspective, here are the main ones to think about before you even begin your project:

* The artists eye level, also known as the horizon line.

* Limitations of the artists’ vision. Known as the cone of vision, the artist has 45 degrees on either side and beyond that, distortion would occur.

* How to use the vanishing point in your projects, as this is the point where parallel lines would appear to converge.

* Also, consider the perspective from the artists standing point.

* Ensure that you use diminishing sizes throughout your work, so that the viewer gets a sense of the heights and depths within the painting.

* Use light and shadow to help create a 3 dimensional effect.

* Overlap objects. For example, trees, bushes, shrubs etc, they blend into each other and form layers.

* Ensure that there is more definition of detail in the foreground.

* Stick to just one light source within the picture

* Use one view point to draw the viewer in.

You start considering these points when planning your project, eventually you will discover that perspective becomes both intuitive and instinctive.

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Mar 09

I remember going into my art class in high school thinking, “well isn’t this great? Here I am taking this art class, it’ll be an easy A and give me a chance to find my creative genius while I’m at it.” Boy was I wrong. Could it have been that I wasn’t that interested in art to begin with? I thought I knew plenty about artists and art history, was I artistically illiterate? The answers to these questions are both no. My expectations for the class were unrealistic for a high school elective. The class wasn’t that hard but was filled with endless boring history, unexciting projects, and Georgia O’Keefe. If anything I walked away from the whole experience knowing that if you want to get better at art, don’t waste your time with academics.

Now I know there are plenty of art students out there getting fancy degrees who would disagree with me. If art school is working out well for them, fine. Just remember I never had nor will have plans of making art my career. I was just interested in learning more ways to express myself through art. Therein lies the problem with art classes and academic curriculum in general: if it won’t allow you the freedom to find your own style it is a waste of time and money.

Art at a young age

When we grew up almost every one of us undoubtedly has picked up a crayon or pencil at some point and started drawing. Even the most artistically inept of us played with art at a young age. We begin as infants to grasp objects and wonder what we can do with them, and as toddlers we are given those thick wax crayons and some paper. Some psychologists say at that early stage we are mainly discovering texture and enjoy the way the crayon feels scribbling over the paper (and walls and anything else!). Eventually we discover we can recreate what we see.

What we as parents must remember to do is not to push the child but let him or her discover their talent naturally. Their art will progress as they begin to understand their surroundings better. They will eventually discover 3d and perspective. But not at first. In the beginning they create what they see as reality. They’re not stupid because they draw the figure inside a box to simulate a person in a house. In reality a person would truly be surrounded by walls, a floor, and a ceiling. This is much like ancient societies such as the Egyptians saw it.

One of the worst things to do is give them coloring books, or as they grow older paint by numbers books. There’s no real expression there. If you do, at least allow them to color outside the lines and draw what they want in the book. Unfortunately as we get older we are told to stay in the lines with all aspects of life so we end up, among other things, rule followers by design. Our 3rd grade Thanksgiving project is to copy your hand and draw a beak at the thumb and feet under the palm. I assume the purpose of this is to have turkeys taped to the hallways instead of the blobs the children might otherwise come up with. But the blob would have been their creation, not literally cookie cutter art. At that age students know what a turkey looks like. And sure it will be difficult to draw, but learning and developing are about the little hardships. Give the kids room. Encourage their creative expression, however it may look to you, at all costs. Picasso said, “All children are artists, the problem is how to remain an artist once he grows up.”

A developing artist

People can discover art at any age or period in their life. One of my favorite examples of this is Wassily Kandinsky who didn’t even begin painting until his 40s, after he had decided to retire from a lucrative career as an attorney. Here is a successful career man coming out of the blue with his artistry (and beautiful I might add : he is one of the few abstract expressionists I actually like, but that is another story). Many, like Vincent van Gogh spent much of their lives attempting and failing before they turn to art. Some kids go to school for one thing such as business and realize their talent and switch gears to be a professional artist. At any point you can discover your creative genius.

I, for one, have always been interested in art and strive to get better the more I practice it. The drawback to the art classes I’ve taken is the fact that I was being spoon fed things I had no interest in. I don’t care about drawing a picture of my sneaker. I absolutely don’t want to draw a flower or some ridiculous thing, or memorize useless facts about artists I have no interest in. Come quiz time, all exams should be hands-on and not include paper work involving questions about dates. Art isn’t about exact dates.

Art history in itself can be pretty dry if you’re not into the artists or styles. I can remember my mom recently noticing how much I am into art history and remembering how much I hated it in 9th grade art class. It never occurred to me, but now I don’t even see it as “art history.” I just enjoy reading books about the art periods and people who inspire me. And that is exactly what you should do, find out who and what inspires you.

I’m learning of new artists all the time. As an avid museum goer, there is an endless opportunity to discover new artists and more art, with an infinite amount of resources at my disposal. If you want to learn more or to find your art, get out there. Pick up the Inquirer and find out what exhibitions are in your area. Go and see what interests you. As I’ve said before, most people have been spoon fed art that bores them so they have little interest in art in general. Bring a small notepad and a pencil, when you see a painting or sculpture that strikes you, write the artists name down and look them up later.

A transformation

If you take away with you one piece of advice here, think Nike. Just do it! Learn about it, take in as much as you can and practice, practice, practice. You never know until you try, don’t put yourself down, and absolutely do not listen to any negative criticism. There is a difference between being constructive and just putting someone down. People will appreciate your art and the effort you put into it. Experiment with different styles, emulate some famous or contemporary artists, and try to perfect your technique.

I recommend copying some of your favorite famous paintings. This is not paint by numbers mind you, don’t worry about getting it just perfect. In fact, paint the picture in your way, in the style of your choice. When van Gogh painted Millet’s “sower” he wasn’t trying to copy exactly, and he came up with all kinds of interesting sowers, painted in his expressive Impressionistic way. You can do this as a color exercise as well, attempting to match the colors in the painting. Don’t be afraid of stealing style from others who have forged the way. Remember the famous line, “I can see so far because I have stood on the shoulders of giants.”

Eventually you’ll start seeing the world through painter’s eyes. As you advance and get to know your palette, ask yourself what hues you actually see and how you would mix them. Instead of just a blue car does it look like a cobalt, ultramarine, cerulean, Prussian, or phthalo blue? You’ll look at your dog and say he has burnt sienna eyes with patches of Naples yellow mixed with a little yellow ochre, and deep red in his fur, with a sheen of a little chromatic black mixed with Titanium White. You’ll never again look at a fox and think he’s just “red.”

Paint whatever you feel like painting, just do it as often as possible. Don’t ever do anything that bores you no matter what you think the benefit is. You’ll amass a collection, but don’t paint for quantity.

Before you know it you’re showing your work to everybody you meet. You’ll look at any painting and say it looks like a Homer, or Waterhouse, or has the style of Klimt or Schiele. And some day someone will see a painting and say “that looks like a [YOUR NAME HERE].”

Exercises

* Gather as much info as you can. Read articles, books, art blogs, and newsletters

* Get out there. Go to sculpture gardens, galleries, and museums that are a stone’s throw away from you that you never realized. If you live in a big city area you can never get bored with exhibits and galleries. By the time you have seen them all, there will be new work shown at the first places you’ve gone.

* Try different things, eventually you’ll find your niche, until then and even after the fact, do as much as you can. Make it a challenge: if you paint, sculpt and vise-versa.

* Read “Art and Visual Perception” by Rudolf Arnheim. It is a must read for anybody serious about getting into the visual arts. It is a half art, half psychology volume on how people perceive things in art. You will walk away with priceless knowledge on how to make exactly what it is you want to express.

* Look at the world with a palette in your mind.

* More advanced students will tackle the “Painting-a-day” exercise where every single day you paint a small canvas. This forces you to come up with new and exciting subjects and will do wonders on your skill level. Just look up any painting-a- day blog or website and go back a year and compare with their current work.

* Just do it!

So go out there and find yourself but be sure to share what you find. Contribute to the arts, create beautiful works and encourage others to follow suit. Until next time, take it easy.

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